《有時Mama，有時Mimi》

線上:GILOO紀實影音11/1-11/14(限定場)

導演:蔡佳璇｜2022｜紀錄片｜中文｜20 min｜普

影片介紹:

離鄉背井來臺工作的女性移工，經規劃或陰錯陽差，孕育了新生命；而當她們基於各種原因成為失聯移工，孩子也被帶進看不見的社會角落，無法得到制度保障。楊婕妤創建的「關愛之家」，十數年來無懼後果伸出援手，服務超過700位移工與孩子，因此他們都叫楊婕妤『咪咪』，就是媽媽的意思。咪咪永遠有很多事要做，深夜接送產婦、照顧孩子、縫製義賣品、與政府溝通應對，甚至徒手接生嬰兒，都是她的日常。在邊緣地帶打造這個共享愛與資源的聚落，有人為她的精神所感動，也有人批評她包庇非法，而對她來說，不分你我的互助精神是最棒的藝術。

Unplanned or planned pregnancy could be difficult for the female migrant workers in Taiwan. When they become the “lost-contact” migrant workers due to various reasons, their children are left in a state of limbo where there is no system to protect them. For more than ten years, Nicole Yang’s foundation, Harmony Home, has been the halfway home for over 700 migrant workers and their children with such problems. The residents call Nicole “Mimi”, which means mother. Mimi is always busy picking up these women, taking care of children, knitting for charity sales, communicating with the government, and even delivering babies. Harmony Home shares love and resources and inspires many people. Despite the criticism of harboring illegal migrants, Nicole still believes in mutual help without distinction.

《我的野餐叔叔》

線下:誠品電影院C廳11/4(六)11:34-12:26

12:26-12:46★主創與談

線上:GILOO紀實影音11/1-11/14(限定場)

導演:陳宇祥｜2023｜劇情片｜中文｜22 min 56 sec｜普

影片介紹:

五年級的夏天，樵樵必須跟家人一起拍 Vlog 才能完成暑假作 業，然而爸媽都忙於工作，進度停滯不前。苦惱之際，他遇見了 靠舉牌維生、住在公園的叔叔，靈光一閃的決定讓他們在野餐中 慢慢填滿彼此缺失的溫暖。片中無家者的議題有別於沉重深刻的 角度，反而以歡快的手法帶領觀眾，以小孩視角觀看無家者的生 活環境與舉牌工作。

In the summer of fifth grade, Ciao is requested to vlog with the parents for his homework; however, both dad and mom are busy at work. Right when Ciao's worried, he runs into his uncle who lives in the park and lives on sign holding. An idea comes up;  they picnic together and fill each other's life up with love. Instead of a heavy tone, the film tackles the homeless problem from a kid's perspective and explores their means of life in an uplifting way. 

《沒有名字的理容院》

線下:誠品電影院A廳11/4(六)11:24-13:29

誠品電影院B廳11/4(六)20:04-22:09

線上:GILOO紀實影音11/1-11/14(限定場)

導演:林宇嬋2023｜紀錄片｜中文｜124 min 11 sec｜普

影片介紹:

桃園虎頭山下有許多「街頭理容攤」，由一群45-75歲不同年齡段的女性在經營，大多服務中高齡及勞動市⺠，因而形成老派、傳統且粗獷的庶⺠生活型態。這些攤位只有編號沒有名字，攤位間僅隔著紗網，人性與人際關係幽微地流動著......

Many "street salon stands” are situated under the Tiger Mountain in Taoyuan, which are run by women between the ages of 45-75. These salon stands serve mainly the elderly and the blue collar class; gradually, a more traditional and down-to-earth lifestyle is formed. The stands have no names but numbers; separated by just a thin layer of transparent cloth, the dynamic between people remains low-key but attractive there.

《河床下的那群人》

線上:GILOO紀實影音11/1-11/14(限定場)

導演:林煥文｜2021｜中文｜28 min 28 sec｜普

影片介紹:

長達八年的河川整治，這群基層的工人，他們在骯髒的水道裡面，完成了不可能的任務施工的過程，不管刮風下雨，還是烈陽高照，他們始終把這項工程當作是自己的使命，在冒險犯難中我們也看到他們彼此的分工和信任，這群勞苦功高的無名英雄，我們應該為他們喝采。

The group of workers have worked for eight years for the river improvement project. Soaked in the dirty water, they completed the construction impossible. They work in any weather, and always regard this project as their most important mission. In the risky and difficult job, we also see how they collaborate and trust each other. The hardworking heroes with no names are worthy of applause.

《南丁格爾》

線上:GILOO紀實影音11/1-11/14(限定場)

導演:楊朝鈞｜48min｜普

影片介紹:

台灣的專業護理師或實習護生，為了病患的健康而努力著，共事過程中，卻發現有許多人正面臨著超時工作、健康受損、日夜班交錯、難以兼顧家庭、專業不受尊重、護病衝突頻繁等，因而身心俱疲，萌生轉業的念頭。

台灣每年培育15,000名護理生，考取證照的護理師約7,000名，進入職場後約3,000人會選擇離開，平均執業率60%，遠低於加拿大與美國的93.6%、83.2%。台灣對護理人員的培育並不匱乏，卻留不住人。究竟出了什麼問題?

Registered nurses (RN) or interns in Taiwan are working hard, even though their own health and lives are at stake. They might consider career change after exhausted by overtime, irregular shifts, work-life imbalance, disrespectfulness and constant conflicts with the patients. 

In Taiwan, there are 15,000 nursing students graduating each year, around 7,000 become RNs, among which 3,000 choosing to leave. The 60% retention rate is much lower than 93.6% in Canada and 83.2% in the US. What might be the problem?

《降河洄游》

線上:GILOO紀實影音11/1-11/14(限定場)

導演:朱平｜2021｜劇情片｜中文｜24 min｜輔12

影片介紹:

白鰻苗的漁獲產量日益減少，使得產業鏈中利益分配不均，各方蠢蠢欲動。盤商雄哥為殺雞儆猴，教訓了不合作的漁民，過程雄哥的手下阿鷺歷歷在目。阿鷺因此深怕同為漁民的父親阿牛也捲入風波，但兩人間難以言說的矛盾，使得他的關心與擔憂始終難以被父親接受，這場江湖風波最終仍往他們掃去。

The catch of white eel fry is declining. That makes uneven distribution of benefits in the industry chain. All parties are getting anxious. The dealer Brother Hsiung gives a lesson to the uncooperative fishermen and makes it a warning to others. Alu, Brother Hsiung’s assistant, sees everything. Alu is thus worried that his father, A-Niu, who is also a fisherman, would be involved as well. He tries to explain his concerns and worries, but indescribable conflicts between them makes it difficult for his father to accept. The unavoidable storm is coming their way.

《海與岸》

線上:GILOO紀實影音11/1-11/14(限定場)

導演:趙若彤｜2021｜紀錄片｜中文｜48 min｜普

影片介紹:

下海常被用來指涉進入酒店產業,入行就是淪落風塵、捲入危險的海。大眾為酒店小姐定義生活處境，在社會既有的道德框架中，她們是一群失語的人。《海與岸》記錄了三位酒店工作者的真實樣貌，及他們從酒店去汙名倡議到組織工會、與社會對話的過程，但來自於家人或大眾的不理解，又該如何面對?酒店工作對他們來說,是海亦或是岸?

“Going to the sea” is the metaphor of ladies choosing to enter the nighttime entertainment business. The public defines their living situation by saying their job environment is like the sea of ​​danger. The Hostess documents the real life of three hostesses. They initiate the de-stigmatization activities, organize labor unions and try to communicate with the society. Facing the questioning and hostility from their family and the public, is such a career becoming their sea or their shore?

《徘徊年代》

線下:誠品電影院C廳11/4(六)19:04-21:32

導演:張騰元｜2021｜劇情片｜中文、台語、越南文｜147 min 22 sec｜護

影片介紹:

九O年代,亞洲跨國婚姻興起,來自越南的文慧遠嫁台灣,與建築工人忠銘共組家庭。誰料,夫家簡陋的磚房漸將文慧困住,令她失去夢想和工作的自由;屋外的社會變動,更讓這對底層夫妻陷入人生的僵局... 而千禧年後,一名擔任徵信社探員的神祕越南女子-裴秋蘭,她為實現自己的理想,追尋起文慧的過去;途中,她竟接連遇見如魅影般又帶著既視感的人事物...

In the 1990s, marriage migration had begun all across Asia. Vietnamese migrant wife Van Tue came to Taiwan, and got married to construction worker husband, Ming. Unexpectedly, the shabby house became a trap, Van Tue lost her dream and freedom to work. The instability of society further pushed the precarious couple to a deadend… After Millennium, a mysterious Vietnamese woman, who is a private detective, embarks on an exploration of Van Tue’s life. During this journey of discovery, however, she keeps encountering people and things that seem to have appeared in the past…

《深層壓迫》

線下:誠品電影院C廳11/4(六)11:34-12:26

12:26-12:46★主創與談

線上:GILOO紀實影音11/1-11/14(限定場)

導演:藍偉豪｜2023｜劇情片｜中文｜29 min 41 sec｜輔15

影片介紹:

陰暗雜亂的片場、詭譎的氣氛、一觸即發的怒火、抓狂的導演,場面逐漸失控,一個新來的製片助理不知所措地處在風暴中心,他要如何獨自面對難題?

什麼是創作?

「我覺得喔,電影本質是虛構的,我們就是用拼湊、組合的方式讓它重新活起來,但它本質是死的。」

當他參透電影行業夢幻泡影下的無奈、哀愁、陰暗,他將何去何從?是繼續沈淪,踏入一樣的輪迴,還是浴火重生,反轉現狀?那一絲熱情是否終將被消磨殆盡⋯⋯

Dark and messy production site, weird vibe, great tension, out-of-control director…Things are falling apart. A new producer assistant in the middle of everything, how is he going to deal with it?

What is filmmaking?

“I think the essence of film is fictional. Filmmakers are putting pieces together to make it alive; however, film is in itself lifeless.” 

When he understands the darkside covered up by the fantasy bubble of the film industry, what is the next step? Is the path about getting into the vicious loop or rising from the ashes? Will the last bit of passion hold?

《菲達蒂的小套房》

線下:誠品電影院C廳11/4(六)13:04-14:06

14:06-14:26★主創與談

線上:GILOO紀實影音11/1-11/14(限定場)

導演:黃麗如、鄭治明｜2023｜紀錄片｜中文、印尼文｜35 min 40 sec｜普

影片介紹:

菲達蒂住在台中火車站附近的五坪小套房,這個套房是她料理印尼家鄉味的廚房,也是她黏土創作的基地,此外更是許多中部移工姐妹們最喜愛的聚會場所。在這個空間裡,印尼姊妹們可以分享當家事工的種種遭遇、當廠工的挫折、彼此交流對遠方家人的思念。她們在台灣認真工作,也認真的生活。

五坪大的小套房,紀錄著菲達蒂在台灣的勞動歷程,她從家事移工,轉換成黏土藝術創作者、移工文化的倡議者,甚至經營起料理印尼佳餚的外賣生意,為了精進自己,菲達蒂還在台灣讀研究所。在她的小套房窺見在台勞動者的種種可能與樂觀的生活態度。

Fedati lives in a small room nearby Taichung train station, in which she makes Indonesian food and clay craft; it is also the favorite place of her migrant sisters in the area. They share about work as a domestic helper and a factory worker; they talk about being homesick and how much they miss their families. 

The journey of Fedati in Taiwan has been recorded in this 16 square meters room. She started as a domestic helper, and later became a clay artist, a migrant culture activist, and an owner of a take-away Indonesian food business. To be even better, she joined a master program in a university in Taiwan. In her room, we can have a peek into the possibility and vibrancy of migrant lives in Taiwan. 

《著陸倒數》

線下:誠品電影院C廳13:04-14:06

14:06-14:26★主創與談

線上:GILOO紀實影音11/1-11/14(限定場)

導演:戴薇｜2023｜劇情片｜中文｜14 min 55 sec｜普

影片介紹:

入夜,哨聲響起,少年的星球開啟。他們在暗夜裡馳騁,依循設定好的程式,為著隱密目的悄然行動著,集結又散去。等待明日太陽初升,所有蹤影不留痕跡。

這是一部以紀實影像為基礎的紀錄實驗短片。描述一群在工業區生活的童工少年,他們的人生被限定在工業區裡,對未來的想像十分有限。他們早早進入打工的生活,在夜晚當起了搬運工。用青春的勞動換生活的日子已開始。他們隱匿在黑色地帶,但隨著商品社會和消費社會的高速發展,勞動力充沛的他們卻又是社會中十分重要的角色。

At nightfall, the sound of a whistle echoes as the young planet awakens. They gallop through the dark night, following pre-programmed instructions, silently carrying out their covert mission, gathering and dispersing. They await the break of dawn, leaving no trace of their presence when the sun rises again.

This is a non-fictional experimental short depicting youth labor in the industrial district. Their lives are restricted, with very limited imagination of what the future can be. Their work starts early, and in the evening they become logistics workers; their prime of youth are in exchange for a living. These young workers are hidden in the shade, but as consumerism and commercialization flourish, their rich labor becomes crucial for society. 

《臺灣紳士》

線上:GILOO紀實影音11/1-11/14(限定場)

導演:黃麗如、鄭治明｜2021｜紀錄片｜中文、英文｜38 min ｜普

影片介紹:

菲律賓在全球有超過兩百二十萬名的海外勞工(OFW)，他們除了為家鄉提供經濟支持，也將菲律賓的文化推廣到世界各地，尤其是菲律賓人引為傲的選美比賽。在臺灣的菲律賓移工幾乎每個月都會舉辦選美比賽，平日他們是工廠廠房生產線蒼白的螺絲釘，但一到假日選美比賽的現場，即回歸本我、勇敢做自己。在一場又一場的男性選美比賽裡，參賽者呈現多樣的勞動者面貌，有悲傷也有甜蜜，當伸展臺下的掌聲響起時，他們看見夢的方向與家的距離。

Over 2.2 million overseas workers (OFWs) are from the Philippines. They support their hometowns financially, and bring their culture to the rest of the world, especially the beauty pageants that Filipinos are proud of. Filipino migrant workers in Taiwan hold beauty pageants almost every month. They might be the faceless, nameless factory workers, but in the holiday beauty pageants, they reveal their true color, bravely. The documentary follows the contestants and films their various faces. You might wonder – when they walk the catwalk and hear the applause, are they also walking in the direction of dreams, or towards the distant home?