勞工影展
《午夜放映》
導演: 賀云蓁｜臺灣｜國語｜彩色｜紀錄片｜11min 12sec｜普遍級
影片介紹:
你能列出幾項夜晚的工作呢？ 夜幕低垂，星月交輝，家戶最後一盞燈滅，人們匆匆結束繁忙一日。城市另一隅，卻有人晝伏夜出，準備展開新的一天。本片紀錄臺灣城市各式種類的夜間工作者，包含捷運維修工程師、共享單車運送員、肉鋪師傅、花卉拍賣員、茶室阿姨等等。有人享受夜晚賜與的寧靜，有人受城市聲光所擾，也有人睜大雙眼等著一段冒險故事發生。 夜晚嘉年華即將開始，純然的視聽饗宴，敬請準時出席，因為這是一場午夜限定的《午夜放映》。 The moon and stars rising from the east, people entering their sound sleep, it is the end of the day for most ones, but the start of the day for a few. The film records various types of night workers in Taiwan’s metropolis. The Night Carnival is about to begin. Get ready for the pure immersion in cinematography and music. And remember to show up on time because it is a MIDNIGHT SCREENING only.
《未曾遠去》
導演: 楊凱淳｜臺灣｜國語、台語｜彩色｜劇情片｜28min 40sec｜普遍級
影片介紹:
單親家庭中父子相依為命，計程車司機為了生計，即使刻苦也不放棄希望，而兒子在失落與成長交錯間的掙扎與堅持。兩人在日常裡微小卻真誠的善意，讓搖搖欲墜的生活，帶來更多物質以外的回饋。 未曾遠去改編自真人實事，看見勞動階級的樸實與良善，當遇見同為生活努力的人們，彼此間互相扶持的默契，而兒子在面對家庭鉅變之中，也以父親的身教，將善良繼續傳播，讓父親的影響力未曾遠去。 In a single-parent family, a taxi driver endures hardship without losing hope, while small yet sincere acts of kindness bring meaning beyond survival. Never Gone, based on a true story, reveals the simplicity and warmth of the working class. Through shared struggles and mutual support, the son carries on his father’s legacy of kindness, ensuring that his influence lives on.
《計程車內，計程車外》
導演: 傅逸佳｜臺灣｜國語｜彩色｜紀錄片｜29min 58sec｜普遍級
影片介紹:
凱福是演員也是計程車司機,他掌握了這座城市的地圖,卻在30歲的人生交叉口迷了路,追尋理想的路上,他不確定自己的方向該往哪裡去。本片聚焦一位因表演事業受挫,而回到老家開計程車的青年,他在日復一日的駕駛勞動中維持生計,嘗試在重複中找尋生活的意義,呈現青年世代在現實壓力下的掙扎與追尋。 Kai-Fu is an actor who also works as a taxi driver. He holds the map of the city in his hands but finds himself lost at the crossroads of life at the age of 30. As he pursues his dreams, he's uncertain which direction to take and tries to find meaning in the repetitive routine of picking up passengers. I want to take the journey with him, camera in hand, to witness the landscapes both inside and outside the car.
《飛機飛過的時候》
導演: 簡冠盈、李依靜｜臺灣｜國語、印尼語、越南語｜彩色｜紀錄片｜25min 20sec｜普遍級
影片介紹:
她們以前都是雇主口中的好看護、好幫手，卻因懷孕被解僱，住進移工安置中心待產。在台灣成為母親的她們，在異鄉走上一條更崎嶇的生養之路。四位主角來自印尼與越南，她們是移工，也是媽媽。有人一邊照顧雇主一邊育兒，也有人必須面對與孩子分隔兩地的痛苦，為什麼她們追求幸福的路，卻困難重重？ Once praised as “good helpers,” four migrant women from Indonesia and Vietnam face dismissal after pregnancy and struggle to raise children in a foreign land. As both workers and mothers, their pursuit of happiness is filled with hardship and separation.
《新春農場》
導演: 黃悦玲｜臺灣｜國語｜彩色｜紀錄片｜24min｜普遍級
影片介紹:
彭新春為新竹縣橫山鄉南昌村「新春農場」的主人。一歲時因細菌感染而全聾，也因此無法言語，溝通受限。擔心在外謀生會受欺負，其父親讓他留在深山農場三十餘年，以勞動度日。長年與土地為伴，他在翻土、修枝、採收的日常裡，磨練出農人的韌性與智慧。48歲時，因教會朋友引介而學會手語，終於走出沉默世界，並積極向外學習農業技術。他透過嫁接與改良品種，提升水果品質，也讓農場景觀煥然一新。如今，新春農場的果實不僅受到鄉民喜愛，更象徵著他用雙手開創出的生命尊嚴與價值。 Peng Xinchun is the owner of "Xinchun Farm" in Nanchang Village, Hengshan Township, Hsinchu County. At the age of one, he became completely deaf due to a bacterial infection, which also left him unable to speak, limiting his ability to communicate. Fearing that he might be taken advantage of if he sought work outside,his father allowed him to stay at the remote mountain farm for more than thirty years,living through hard work. Having spent a lifetime close to the land, he honed the resilience and wisdom of a farmer through daily tasks such as tilling, pruning, and harvesting. At the age of 48,introduced by friends from his church, he learned sign language and finally stepped out of his silent world. He actively pursued agricultural knowledge, improving fruit quality through grafting and variety enhancement, and revitalized the farm’s landscape.Today, the fruits of Xinchun Farm are not only cherished by the local community but also symbolize the dignity and value he has created with his own hands.
《極樂世界3-好好工作．工作好好》
導演: 郭延恭、郭樂興｜臺灣｜國語、英語｜彩色｜紀錄片｜56min 10sec｜保護級
影片介紹:
很多人可能不知道，台灣精神障礙者的就業率，可能是所有身障類別中最低的，這或許是因爲有很多人都是透過"社會新聞事件”看見他們的存在，他們也常被貼上「危險」兩個字，事實上．精神障礙者就像其他疾病的患者一樣，不發病時，他們也像你我一樣生活、一樣需要工作，影片中的三位主角一小暗、小汪、草莓，都在求學時期就發病，曾經，他們的生活是兜轉反覆發病之間，也曾經，他們多次被職場拒於門外，卻又不斷想要回到職場，有一份工作對他們來說，不只是為了養活自己，更是為了找回生命的尊嚴與肯定，一起看看他們是如何爬梳失序人生，勇往「職」前！ According to statistics, fewer than 10% of people living with schizophrenia in Taiwan are able to secure part-time or full-time jobs. This is the lowest employment rate among all disability groups, significantly lower than the 60% employment rate for those with physical disabilities. Compared to people with other types of disabilities, most people with schizophrenia face deep anxiety when job hunting, fearing that the door to employment will be shut as soon as they notify a potential employer of their diagnosis. This episode follows three individuals — Dark, Ching-lan, and Strawberry — all of whom were diagnosed during their school years. At times, their lives revolved around repeated relapses; at others, they were repeatedly rejected by employers. Yet, despite the setbacks, they continue striving to return to the workforce. Let’s see how they navigate the chaos of life and forge ahead on the road to employment!
《歡迎來到北車大客廳》
導演: 曾文珍｜臺灣｜國語、印尼語｜彩色｜紀錄片｜88min 47sec｜普遍級
影片介紹:
本片拍攝四位不同世代的印尼女性看護工，她們在台灣工作了近十年。平日，她 們在雇主的家庭裡照顧老人或小孩;在休假的時候，她們與朋友相約來到台北車站大廳，大家席地而坐，聊天、慶生、吃家鄉美食。台北車站大廳是印尼移工在 休假時，相聚在一起的大客廳;車站外廣場，曾是印尼穆斯林舉辦開齋節會聚集 的地方，成千上萬的印尼人聚集在一起，形成台北市裡一處特殊的文化地景。 片中的四位移工女性，Tantri 會利用手機直播，幫助印尼移工處理大小事;Umi 喜歡寫詩與拍照;Pindy 用紙黏土創作，捏出印尼人的傳統文化;Yusni 會說寫 流利的中文。在北車大客廳裡，她們擺脫看護工的身分，盡情展現自己，搖身一變成為才華洋溢的女人，也延伸出許多關於跨國女性移工議題的思考。
《鑑往織來》
導演: 朱彥銘｜臺灣｜國語｜彩色｜紀錄片｜25min 56sec｜普遍級
影片介紹:
生長在原漢通婚家庭的林珍珠，因為母親專注於泰雅編織文化的傳承，她從小就與織布器具、聲音為伍。畢業後有感於文化流失的嚴重性，珍珠決定放棄都市繁華的生活，回家參與母親的編織志業。 母女倆彼此扶持、相互學習，透過手與身體的反覆實作，一同追尋、研究早期的傳統技法，進而加以發揚與推廣。編織是極需要耐心與體力的勞動過程，從種植苧麻、取纖製線到完成織品，每一道工序都是智慧與經驗的展現，作為年輕一代的文化復育者，珍珠不僅承繼了前輩長年累積的文化脈絡，更使編織文化在當代得以延續與實踐。
